The Diary of a Jewish Prostitute
A story of memory, identity and survival connecting two eras in Europe.
View project →From television entertainment in Argentina and Paraguay to developing original stories for international film, scripted series and formats.
Carlos María Salsamendi is an Argentine writer, screenwriter and audiovisual creator. His professional path began in the entertainment and television industry, developed over many years in Paraguay and now focuses on screen stories for an international market.
His work spans comedy and entertainment scripts, original television formats, film screenplays, scripted series and projects designed for different languages and territories. Throughout, his central discipline has remained writing stories for the screen.
His professional archive identifies early work in Argentina connected with productions associated with Hugo Sofovich, Aldo Aresi and Pepe Parada. His career then moved to Paraguayan television before progressively expanding into feature-film and series development.
Details of the earliest work are based on the writer's professional archive. The independent press references currently available are identified below. This is a professional biography, not a list of released productions.
After moving to Paraguay, his archive records writing contributions to La familia Quintana and comedy segments of Holachiquilichingui (Canal 2). Exact dates and credits remain part of the ongoing historical documentation.
The Paraguayan newspapers La Nación (14 August) and Popular (19 August) credited Salsamendi with the scripts for Me cargo de risa on Telefuturo. La Nación also identified him as executive producer. The show was directed by Raúl Proenza.
In July 2003, ABC Color reported on the fifth anniversary of Me cargo de risa. This documents the programme’s longevity, not necessarily that every original team member retained the same role throughout.
Domingo en Folklore (SNT, Canal 9) combined folk music and comedy. An audiovisual recording held in his professional archive carries an on-screen credit reading “Author and director: Carlos María Salsamendi.” It is a primary-source record of his television work.
Following his work in television, Salsamendi expanded into feature-film screenplays, scripted series and original formats. His portfolio spans historical drama, thrillers, science fiction, horror, comedy, mature romance and music-driven stories. Several projects have Spanish- and English-language versions or adaptations intended for different territories.
His development work includes screenplays, series bibles, outlines, professional decks and conceptual teasers. These are creative and industry-facing materials; they are not presented as completed, released or financed productions.
The screenplay Indelible (Tinta indeleble) was included in the Unproduced Screenplays Competition of the 46th International Festival of New Latin American Cinema in Havana, representing Paraguay under the pen name “Salsa.” The festival catalogue and specialist coverage record the entry. It did not win the category award.
Tau ha Kerana: The Origin of Shadows, inspired by Guaraní mythology, was submitted in 2026. The festival confirmed receipt of the screenplay for preselection. Official selection in 2026 is not claimed without the corresponding published decision.
These titles illustrate the range of the work. The professional slate comprises projects at different stages of writing, development and industry outreach, and some properties have more than one format.
A story of memory, identity and survival connecting two eras in Europe.
View project →Athens, 399 BCE. Socrates must choose between saving himself and remaining true to his principles.
View project →A historical fiction about Paraguayan musician Luis Alberto del Paraná and his international journey.
View project →A father and his son confront the consequences of a predictive surveillance system.
View project →The matrix contains 29 project/format entries, not 29 produced or released titles. Multiple formats and adaptations may belong to a single underlying intellectual property.
The career is supported by historical press coverage, original production materials, Havana festival documentation and professional profiles. Independent press and institutional records are distinguished from material published by the creator.
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